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Horror Obscurities: “Who Can Kill A Child?” Reviewed

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Hey there, horror movie buffs! Today, The Longbox of Darkness dares to share thoughts on a hidden and controversial gem of the horror genre: “Who Can Kill A Child?”. This Spanish horror film from 1976 is a must-watch for every horror aficionado, but poses an extremely uncomfortable question to all of us.

During a random Twitter conversation I had recently, someone asked for an obscure horror flick recommendation, and I immediately recommended this film. It made me crave a rewatch, which I promptly did, and this review is the result. If there are some of you fear addicts out there who haven’t seen it yet, read the relatively spoiler-free review below, and prepare to have your brains blasted by torrents of shock and disturbing “What if?” scenarios.

Now, let’s dive into this spine-chilling fright-fest!

Suspense and Tension: A Dark and Gripping Plot

“Who Can Kill A Child?” offers a suspenseful plot that manages to simultaneously enthrall and disturb. The film gradually builds tension, starting innocently with a couple’s vacation to a seemingly serene island and quickly transforming into a horrifying nightmare. As the protagonists uncover the truth about the island’s children, the psychological thriller elements intensify, leaving us, the audience, gripped by uncertainty, fear, and a terrible anticipation. Will the film answer it’s own question? You’ll have to watch it to find out.


The story unfolds on a picturesque Spanish island, where a British couple, Tom and Evelyn, arrive for a holiday. Seeking peace and tranquility, they instead stumble upon a chilling reality: the island’s children have inexplicably turned against the adults, embarking on a sinister spree of violence. As Tom and Evelyn navigate this nightmarish landscape, they are forced to confront a harrowing question: how far will they go to survive when the threat comes from the hands of children?

The movie clearly explores the dark nature of humanity and our proclivity for violence through the horror subgenre of evil children. The dark and gripping theme adds an extra layer of depth to the story, heightening the overall intensity and creating a chilling ambiance that resonates throughout the film. The riveting plot, combined with the harrowing psychological elements and surprisingly realistic murder sequences, ensures a viscerally nerve-wracking experience.

The maestro behind this symphony of terror, director Narciso Ibañez Serrador, brilliantly crafts each scene to maximize suspense and tension. The gradual escalation of events, from the couple’s initial curiosity to their disturbing realization, is meticulously orchestrated to keep audiences in a cold sweat. Combined with the gripping plot, the skillful direction make “Who Can Kill A Child?” a standout in the realm of psychological horror.

Visual Flair and Captivating Cinematography

When analyzing “Who Can Kill A Child?”, it is impossible to ignore the captivating visual content and skillful filmography that contribute to its overall appeal. The movie showcases a variety of film techniques that enhance the storytelling and immerse viewers in the eerie atmosphere of the story. It’s a true testament to director Serrador’s genius.

Film Techniques and Homage to Hitchcock

Serrador’s direction pays homage to Alfred Hitchcock’s masterpiece “The Birds” in certain sequences, such as the gathering of the children in the village square, ready to attack the main characters. These moments create a palpable sense of suspense and tension, reminiscent of Hitchcock’s ability to manipulate the audience’s emotions.

Furthermore, the cinematography by Jose Luis Alcaine is sublime. Despite being mostly filmed far from the sea, in Ciruelos, Toledo, Alcaine’s work effectively captures the deserted island setting and amplifies the overall suspenseful ambiance of the film. The visual portrayal of the island and its surroundings adds to the believability of the storyline, immersing the audience in the chilling atmosphere.

A Study in Suspense

Serrador and Alcaine use cinematography to generate truly suspenseful and frightening moments throughout the film. The use of lighting, shadows, and camera angles effectively builds tension and enhances the overall viewing experience. The visual content in “Who Can Kill A Child?” plays a crucial role in delivering a gripping psychological thriller that embeds itself into the mind, slamming in its hooks with the affirmation “you will not forget me,” thereby triggering nightmares that linger long after the movie has been watched. This by itself is worth the price for admission, at least if you’re a die-hard horror fan, which I assume you constant readers are.

In conclusion, the visual content and filmography in “Who Can Kill A Child?” elevate the cinematic experience to new heights. The careful execution of film techniques and the skillful cinematography contribute to the gripping plot making it a must-watch for fans of film analysis and movie critique. The visual elements of the film immerse viewers in the chilling atmosphere, solidifying its status as a remarkable piece of Spanish horror cinema.

International Reception and Alternate Titles

Since its release in 1976, “Who Can Kill A Child?” has garnered international attention and gained a dedicated following among horror movie enthusiasts. The film’s unique and chilling depiction of evil children has struck a chord with audiences worldwide.

Interestingly, the film was released with different alternate titles in various countries. In the UK, it was known as “Would You Kill a Child?” and “Death is Child’s Play,” which added to the intrigue and mystery surrounding the storyline. In the USA, it was released as “Trapped!” and “Island of the Damned,” emphasizing the isolating and terrifying situation the main characters find themselves in. The alternate titles further contributed to the film’s cult status and generated insatiable curiosity among audiences.

For horror movie recommendations, “Who Can Kill A Child?” is often included in must-watch lists for its atmospheric tension and thought-provoking storyline. Its reputation has grown over the years, ensuring that a new generation of horror fans discovers and appreciates this Spanish gem.

The Legacy of Narciso Ibañez Serrador

Narciso Ibañez Serrador has left an indelible mark on Spanish terror cinema . His contributions extend beyond this classic horror film, with notable works including “La Residencia” (The Boarding School) and the TV series “Historias para no Dormir” (Stories to Keep You Awake). Serrador’s creative vision and ability to elicit fear and suspense have made him a respected figure in the genre. His influence on Spanish horror cinema is evident in the chilling and psychological nature of his films.

Serrador’s exceptional talent is particularly evident in his masterpiece “Who Can Kill A Child?”. The film showcases his ability to seamlessly create a unique and unsettling atmosphere, effectively immersing viewers in a world of terror. With this movie, Serrador explored the theme of evil in children in a way that had never been seen before, paving the way for future horror directors to delve into unconventional and thought-provoking subject matter.

*It should be noted that although “Who Can Kill A Child?” is considered one of Serrador’s best works, his contributions extend far beyond this film. He continued to make his mark in the television industry, further solidifying his legacy. Serrador’s influence on the genre cannot be overstated, and his name will forever be associated with the brilliant and fear-inducing world of Spanish horror.

Critical and Audience Response

Since its release in 1976, “Who Can Kill A Child?” has garnered positive reviews from both critics and audiences. It’s been praised for its effective delivery of suspense and scares, making it a standout in the genre. Furthermore, the film’s ability to create a disturbing atmosphere and explore the dark side of human nature though the vehicle of children has captivated viewers.

While “Who Can Kill A Child?” may not be as well-known as other horror films, its impact has not gone unnoticed. The film has gained a dedicated cult following, with horror enthusiasts recommending it as a must-see. Its unique depiction of evil corrupting innocence and the tension it maintains throughout make it a memorable and terrifying cinematic experience.


In The Longbox of Darkness’ humble opinion, “Who Can Kill A Child?” is a true masterpiece of classic horror cinema. Its suspenseful plot, psychological thriller elements, and dark atmosphere make it a standout film in the genre.

What ultimately sets “Who Can Kill A Child?” apart is its unique portrayal of a relentless but unexplainable evil. The unsettling tension that it maintains throughout is a direct result of this. From the innocent vacation that quickly turns into a horrifying nightmare, to the chilling conclusion that offers no closure but only further questions, this film effortlessly keeps you fascinated by the fear it evokes.

It’s no wonder that “Who Can Kill A Child?” is widely recommended by reputable horror pundits as a must-see for horror fans. You don’t have to obsess about the ‘Evil Child’ subgenre to enjoy this film; you merely have to sit back and watch as kids run amok, ‘innocently’ murdering gleefully and perpetrating the most heinous acts, all while maintaining their childish sense of fun. That’s when the chill factor creeps in, and never lets you go.

So this is why The Longbox of Darkness highly recommends checking out “Who Can Kill A Child?” Its cult status is well-deserved, and it remains a timeless classic in the realm of the horror film. If you haven’t seen it yet and decide to give it a go, you won’t be disappointed.


Rating: 5 out of 5.

Well, what are you waiting for, terror addicts? Get your hands on a copy and watch it (or rewatch it). Then leave some comments down below, subscribe to the blog, and tell me all about your journey to the island of the damned, and what you’d do in a predicament like that.


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On my fifth birthday a relative gifted me a black box filled with old horror, war, and superhero comics. On that day, my journey through the Weird began, and The Longbox of Darkness was born. Four decades of voracious reading later, and here we are.

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